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El Messiri

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El Messiri

El Messiri is a modern Arabic typeface family designed by Mohamed Gaber (Arabic) that began with Jovanny Lemonad's Latin and Cyrillic typeface Philosopher. The Arabic started with the concept of a curvy Arabic typeface inspired by the beauty of Naskh and drawn as if with a brush instead of the traditional bamboo pen. The idea took form with wide counters that improve readability at smaller text sizes, and has subtle details that make it a great display face at larger sizes. El Messiri current comes in 4 weights (Light, Regular, SemiBold and Bold) and the Arabic component has a wide glyph set that supports the Arabic, Farsi and Urdu languages.

Which comes in this ZIP file are the TTF files from Google Fonts.

Charger Sport

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Charger Sport

Charger Sport is a new Charger variant by Jasper @ Cannot Into Space Fonts.

Poppins

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Poppins

During the 1920s, Central European type foundries joined the modernists movements in art and design. Modernism was truly international in scope; only three years after the founding of the German Bauhaus school, several of its painting instructors were already exhibiting their work in Calcutta.

Geometric sans serif typefaces have been a popular design element ever since these actors took to the world’s stage. Poppins is one of the newest comer to this long tradition. An open source family supporting both Devanagari and Latin, this typeface is an internationalist take on the geometric sans genre. Many of the Latin glyphs — the ampersand, for instance — are far more constructed and rationalist than in previously released geometric typefaces. Poppins’s Devanagari design is particularly new. It is likely the first-ever large Devanagari family in this style that has been brought to market.

The Poppins family includes five weights, from Light through Bold. Each font includes 1014 glyphs, including all of the unique conjunct forms necessary for typesetting Indian languages like Hindi, Marathi, Nepali, etc. Just like the Latin glyphs, the Devanagari forms in Poppins are based pure geometry (particularly circles). Poppins’s letters are practically monolinear, although optical corrections have been applied to stroke joints where necessary, to maintain an even colour in text. The Devanagari base character height and the Latin ascender height are equal; Latin capital letters are shorter than the Devanagari characters, and the Latin x-height is set rather high.

The Devanagari glyphs in Poppins were designed by Ninad Kale. The Latin is from Jonny Pinhorn. The Indian Type Foundry first published Poppins in 2014.

Poppins is released under the SIL Open Font License, v1.1.

TeX Gyre Adventor

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TeX Gyre Adventor

The TeX Gyre Adventor family of sansserif fonts is based on the URW Gothic L family distributed with Ghostscript. The original font, ITC Avant Garde Gothic was designed by Herb Lubalin and Tom Carnase in 1970. The constituent 4 standard faces contain nearly 1250 glyphs each, and includes tabular, proportional and lining figures, ligatures, and complete LGC Support.

Andada

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Andada

Andada is a text font with an organic-slab serif, hybrid style, a solid design of medium stroke contrast. This font has received an award at the Ibero-America Design Biennial. The Biennial has been shown in Spain, Argentina, Chile, El Salvador, Uruguay, Bolivia, Colombia and Venezuela.
Designed by Carolina Giovagnoli for Huerta Tipográfica. This version of Andada is released under the SIL Open Font License, v1.1.

Aleo

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Aleo

Aleo is a contemporary typeface designed as the slab serif companion to the Lato font by Łukasz Dziedzic. Aleo has semi-rounded details and a sleek structure, giving it a strong personality while still keeping readability high. The family comprises six styles: three weights (light, regular and bold) with corresponding true italics. Aleo is released under the SIL Open Font License, v1.1.

Amaranth

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Amaranth

Amaranth is a font made by Gesine Todt and is released under the SIL Open Font License, v1.1.

Veleka

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Veleka

Veleka is complete modification of Charis SIL, copyrighted (c) by SIL International, 1997-2014 under SIL license.
Although Charis SIL is intended to be a multilingual font it has some limitations, which were the reason to create the Veleka font.

What is new in the Veleka v. 1.000?

1. There is a full support for Greek in the Unicode range uni0370:uni03CE.
2. There are two models of Cyrillic for the range uni0410:uniuni044F (Modern Bulgarian Cyrillic and Russian Traditional Cyrillic).
3. There are two ways to switch between the modern and traditional Cyrillic (either by using locl feature for Russin language, or by using Style Set 01 feature).
4. There is a full support for Open Type features: Latin All Caps (case + cpsp), Ligatures, Discretionary Ligatures, Fractions, Ordinals, Swash, Titling Alternates, Contextual Alternates, Small Caps, All Small Caps, Slashed Zero, Stylistic Set 01, Stylistic Set 02, Superscript/Superior, Subscript/Inferior, Numerator, Denominator, Proportional Oldstyle, Proportional Lining, Tabular Oldstyle, Tabular Lining, Default Figure Style.
5. There is a lot of new glyphs in all the main Unicode ranges: Latin, Greek, Cyrillic, IPA etc.
6. The glyphs are rearranged according to Unicode 9.0.

What is expected to be done in the near future for Veleka font?

1. Publishing of the v. 1.000 for Veleka Bold, Veleka Italic, Veleka Bold Italic.
2. Full support for Greek Extended range uni1F00:uni1FFF.
3. Maximum support for Cyrillic (maybe with the Glagolitic glyphs also).
4. Bug fixing, clearing of the design of the glyphs, better metrics and better hinting.
5. New Veleka formats: TTF, WOFF.

Although Veleka is derivated font it is quite different from the original, offering a lot of new features and being really a multilingual font.

Metropolis

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Metropolis

A modern, geometric typeface. Open sourced, and openly available. Influenced by other popular geometric, minimalist sans-serif typefaces of the new millennium. Designed for optimal readability at small point sizes while beautiful at large point sizes. It is released under the SIL Open Font License, v1.1.

Roboto Old

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Roboto Old

Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise, allowing letters to be settle in to their natural width. This makes for a more natural reading rhythm more commonly found in humanist and serif types.

This is the normal family, which can be used alongside the Roboto Condensed family and the Roboto Slab family. Which comes in this zip file is both Roboto Normal and Roboto Condensed.

TitilliumText

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TitilliumText

An abandoned fork of Titillium. It has new oblique italics, as well as new weights. It is released under the SIL Open Font License, v1.1.

Decalotype

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Decalotype

Decalotype is a multi-purpose, narrow and sturdy sans serif.

Arima Koshi

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Arima Koshi

A display font with soft edges and calligraphic feel is the main inspiration for Arima Type Family.

It has a low contrast to allow good rendering on screen.

Legibility is always a central concern, but we gave this family a lot of personality to be recognizable as a display font to be used in headlines, brand names, and similar uses on the web.

Our primary goal was to create a design that will prove popular because it resonates with both casual and professional designers, and without ever lowering the quality of the design.

Each font in the family was extensively tested on low resolution phones and refined to work well as a web font in the mobile era.

From the very first round of design testing, each font was hinted with ttfautohint and refined for Windows users.

It has an extended language support: Tamil, Malayalam and Latin (Adobe Latin 4.)

Arima is released under the SIL Open Font License, v1.1.

Hind Madurai

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Hind Madurai

It is a Latin + Tamil font by Indian Type Foundry. It is released under the SIL Open Font License, v1.1. https://github.com/itfoundry/hind-madurai

Comme

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Comme

Comme is a fork from the Oxygen Font family by Vernon Adams, designed for Free desktops and UI's.

https://github.com/vernnobile/commeFont

Normung

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Normung

Normung (German for 'standardization') is an expansion of Gidole from Andreas Larsen, now including Regular, Bold, and Oblique styles.

DejaVu Markup

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DejaVu Markup

Based on DejaVu Sans Mono. Slightly modified for markup languages such as LaTeX, Asciidoc, or markdown. Useful for marking up classical text documents, helping to distinguish between similar-looking glyphs.

* A modified endash to distinguish from a hyphen and a emdash.
* A modified minus sign to distinguish from the endash.

Inconsolata LGC Markup

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Inconsolata LGC Markup

Based on Inconsolata LGC. Slightly modified for markup languages such as LaTeX, Asciidoc, or markdown. Useful for marking up classical text documents, helping to distinguish between similar-looking glyphs.

Modified hyphen, minus, upright apostrophe and quote, and bullet.

U001

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U001

An Univers-like typeface that comes with GhostPDL made by URW++. It is released under the Aladdin Free Public License.

Autobahn

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Autobahn

Autobahn is a blackletter font by Peter Wiegel (http://www.peter-wiegel.de/)
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